田中栄三

田中栄三

Tanaka initially trained as a stage actor in the shingeki movement under Kaoru Osanai, but eventually joined the Nikkatsu film studio in 1917. He debuted as a director in 1918 but mostly had to work with shinpa stories, not the shingeki techniques he was used to although two early films, The Living Corpse (Ikeru shikabane) and The Cherry Orchard (Sakura no sono) were based on Tolstoy and Chekhov respectively.[3] Working in parallel with the Pure Film Movement, Tanaka made two films, Kyōya eirimise (1922) and Dokuro no mai (1923), based on his own screenplays, that were highly praised for their cinematic technique.[1] He remained a rather conservative filmmaker and still used oyama (male actors) in female roles, including in his masterpiece Kyōya eirimise, a melodrama about a merchant's destructive love for a geisha. He used actresses for the first time in Dokuro no mai, a story of a monk reminiscing about his youth and early loves.

  • Titolo: 田中栄三
  • Populareco: 0.622
  • Konata pro: Directing
  • Naskiĝtago: 1886-11-03
  • Naskiĝloko: Chūō, Tokyo, Japan
  • Hejmpaĝo:
  • Ankaŭ Konata Kiel:
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田中栄三 Filmoj

  • 1953
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    6.3 1953 HD

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  • 1949
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    野良犬

    野良犬

    7.505 1949 HD

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  • 1949
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    青い山脈

    青い山脈

    6.3 1949 HD

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  • 1950
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    暴力の街

    暴力の街

    6.5 1950 HD

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  • 1950
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    また逢う日まで

    また逢う日まで

    6.333 1950 HD

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  • 1953
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    ひめゆりの塔

    ひめゆりの塔

    6.8 1953 HD

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  • 1949
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    女の一生

    女の一生

    1 1949 HD

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  • 1927
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    彼をめぐる五人の女

    彼をめぐる五人の女

    1 1927 HD

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  • 1921
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    朝日さす前

    朝日さす前

    1 1921 HD

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  • 1921
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    白ゆりのかほり

    白ゆりのかほり

    1 1921 HD

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  • 1921
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    流れ行く女

    流れ行く女

    1 1921 HD

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  • 1922
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    京屋襟店

    京屋襟店

    1 1922 HD

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  • 1923
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    髑髏の舞

    髑髏の舞

    1 1923 HD

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  • 1926
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    紙人形春の囁き

    紙人形春の囁き

    1 1926 HD

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  • 1923
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    髑髏の舞

    髑髏の舞

    1 1923 HD

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  • 1927
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    彼をめぐる五人の女

    彼をめぐる五人の女

    1 1927 HD

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  • 1918
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    生ける屍

    生ける屍

    1 1918 HD

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  • 1922
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    京屋襟店

    京屋襟店

    1 1922 HD

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  • 1918
    imgFilmoj

    1 1918 HD

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  • 1932
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    浪子

    浪子

    1 1932 HD

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